Stairways that led to once familiar paths are now obscured by the
cluttered layers of time.
Each dusting barely perceptible, as the daily celebrations of life
leave behind
layers no more substantial than a spider’s web.
Successive years, 60 by my count, slowly bury the past,
even as the ongoing dance celebrates that very thing.
Sun-drenched hills that played host to beggar burros and skeletal
dogs in coats stretched too tight, now dominated by expansive homes they like
to call haciendas,
offering a revisionist dream of a time long past.
Dirt blackened, a crippled man drags himself, hand over knee,
down a side street gutter.
Whimpering odd imprecations in a well-practiced pitch,
on stage for his nightly crawl, weeping gibberish for the crowd.
Tourists coy, surreptitious with their half-hidden phone cameras, attracted
and repelled, chasing a perfect shot without looking like a traffic accident gawker.
Twenty steps behind, on the same street, colorful Mariachis blow
lively brass.
Cripples, musicians, a man 60 hats high, food carts perfume the
air. Ladies squat comfortably on bright blankets tucked into heavy stone corners,
an explosion of color as they hold up bright fabrics and send their toddlers
into the crowd with trinkets to sell.
Everyone on stage.
Coming in from all directions at sundown.
A promenade 400 years unchanged,
walking down to the plaza.
Like an old friend, I remembered the face of the Cathedral
dominating the square.
It remained stoic and unchanged even as the many paths leading to
its massive doors have become the buried, embellished, and almost
unrecognizable descendants,
of the streets I once walked
as a boy.
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